Giclée Prints and Originals
Giclee Print of Canvas no.5 30cm x 50cm
Giclee print of my 5th canvas for Glen Moray. Printed with archive quality inks on acid free paper, these prints are of the finest quality.
Giclee print of Canvas no.4, 50cm x 30cm
Printed on 300gsm acid free paper with archival quality inks, this print is of the highest quality.
30cm x 40cm Giclée print on 300gsm archival paper, signed by Artist
NOW AVAILABLE 30cm x 40cm Giclée print on 300gsm archival quality acid free paper. These high quality reproductions will be inspected and signed individually by the artist. and will include a certificate of authenticity.
40cm x 30cm giclee on archival paper signed by Artist
NOW AVAILABLE 30cm x 40cm Giclée print on 300gsm archival quality acid free paper. These high quality reproductions will be inspected and signed individually by the artist. and will include a certificate of authenticity. Created using highest quality pigment inks, to ensure longevity and integrity.
80cm x 25cm Giclee print on unstretched canvas, signed by artist
A exceptional reproduction of the main piece in my Glen Moray commission. The painting depicts the main heart of the Distillery, showing the Master Distillers home, his office, the Still House, Malt Store in the center, then the Boiler, Visitor Centre and finally the warehouses, including Warehouse 1, where the spirit rests and acquires its depth and character. The image is 80cm x 25cm with a 75mm border to allow your framer to stretch this around a stretcher up to 4cm in depth. Produced using the finest grade of pigment inks in a 12 colour system Giclée print on heavy weight archival quality canvas (un-stretched). These high quality reproductions will inspected and signed individually by the artist. A certificate of authenticity is also included, signed by the Artist and the Print maker. This print is of painting 2 of 3 commissioned by the Glen Moray Distillery to mark its 120th anniversary.
Giclee print of “Ragged”, 60cm x 30cm on 300gsm archival paper (limited run of 100)
Printed with highest quality archival inks on acid free 300gsm archival paper, this reproduction of my painting, "Ragged", tells of a broken evening sky brushing the wild landscape of the Scottish landscape. I will personally inspect, sign and number each print of this limited run of 100.
Giclee Print on archival paper. 60cm x 30cm
Depicting a scene from my local beach, this painting captures the blues of a spring morning as I walked the dog along the beach. Each print will be signed and inspected by the Artist prior to being shipped.
Giclee print of “Autumnfall” on 300gsm archival paper 20cm x 30cm
Based on my Autumnal painting, this fragment of Autumn brings the russets and auburn of that most colourful of seasons. Printed on 300gsm acid free archival paper, each print is inspected and signed by the Artist.
GIclee print 10″ x10″ on canvas “Slumber”
I am drawn to this abandoned house repeatedly, and am enchanted by the way it inhabits it’s space and turns the light. Situated on the coast, close to the sea, on the Speyside Way, this abandoned cottage has such allure and untold stories. Faithfully reproduced on high quality canvas, this print will be inspected and signed by the artist, prior to shipping.
Original canvas, Bidden, 11″x14″ acrylic on canvas
The shadows linger beneath the building cloud front as it slips past the coastal town of Buckie, along the Speyside Way. 11″x14″ x 1.5″ acrylic on canvas
“Clearcut” original acrylic on canvas, 46cm x 56cm x 4cm
This tree stood alone as a stark witness to the felling of this part of the forest. Harvested for the pine wood, its neighbours lay stacked nearby as it stood alone under ceaseless wind. Painted alla prima, this piece is based on drawings and sketches I made while in the hills above the River Spey. The surface is unvarnished, with lightly textured paint and while the image does not carry around the edges, the edge is finished in a sympathetic tone allowing it to be hung unframed if desired. I want the viewer to empathise with this courageous tree, to feel its unwillingness to give up. I also hope they enjoy the almost liquid nature to the sky, that suggests movement and fluidity. I like to paint my skies in as few sittings as possible, especially in this case, as it allows the subject to maintain a certain voice, or nature that is akin to what it is representing. I also find this true with water. I feel if too much time is taken, sometimes it can render it static.
Giclee print of ‘Rekindled’ 60cm x 60cm on 300gsm archival paper
Dawn opens the sky as the slumbering boats await their crews, sheltered in the Harbour. Printed on 300gsm acid free archival paper, each print is inspected and signed by the Artist.
Giclee print 50cm x 40cm of ‘Ember’ on 300gsm archival paper
The view from the top of Lady Hill, near Fochabers in Moray, Scotland, looking across the River Spey towards Lossiemouth. This golden evening occured in late summer. Printed on 300gsm acid free archival paper, each print is inspected and signed by the Artist.
Giclee print of ‘Mull’, 60cm x 40cm on 300gsm archival paper
Painted in response to a tour of Mull, this view of the west coast of the island as it casts off its shroud of Atlantic cloud captures that moment when magic seems to exist within reach. Printed on 300gsm acid free archival paper, each print is inspected and signed by the Artist
Giclee print of ‘Eventide’ 50cm x 70cm on 300gsm archival paper
Painted down on Portgordon Harbour as the sun sets, setting gold and violet hues across the mouth of the River Spey. This painting featured in my Glenfiddich Exhibition. Printed on 300gsm acid free archival paper, each print is inspected and signed by the Artist.
Giclee print of ‘Threshold’ 50cm x 30cm on 300gsm archival paper
The sliding mist reveals the gate and the boundary that lies ahead, revealing the further mysteries ahead. Based on the photography of a dear friend, Kate, this gate lies in the countryside near Fochabers in Speyside. Printed on 300gsm acid free archival paper, each print is inspected an signed by the Artist.
Giclee print of ‘Open Arms’ 80cm x 50cm on 300gsm archival paper
Painted as the center piece of my Ar Cala exhibition, ‘Open Arms’ shows Buckie Harbour as it reappears from the shroud of mist that is drifting off to the sea. A safe and sheltered escape from the heedless will of the open sea, the Harbour protects you like the open arms of a Mother. Printed on 300gsm acid free archival paper, each print is inspected and signed by the Artist.
Giclée print of Poenix 50cm x 30cm on 300gsm archival paper
Painted as the finale of my Ar Cala (July 2017) exhibition, Phoenix was the end of the past and the birth of the future. The old JamesTown shipyard lies derelict and haunted, but the rising sun fills the old bones with rebirth, as the shipyard is now currently being renovated to return to work. Printed on high quality 300gsm archival acid free paper, each print is inspected and signed by the artist.
Giclée print of Brace 20cm x 20cm on 300gsm archival paper
Painted for my Ar Cala exhibition (July 2017) this depiction of Buckie Harbour as seen from the base of the lighthouse. Originally created using charcoal and acrylics, it seeks to exhibit the solidity and protection the harbour wall has given over so many years. Printed on high quality 300gsm archival acid free paper, each print will be signed and inspected by the artist.
30cm x 60cm Giclée print of Bothy, printed on 300gsm archival paper
Painted for my first exhibition of 2018, i returned to a subject close to my heart, this abandoned Fishermans house on an empty expanse of coast not far from my home. The skies are quite often dramatic, here in Moray, and are a perfect companion for this resilient structure. The Giclée will be produced on high quality acid free 300gsm archival paper, inspected and signed by the artist.
30cm x 60cm Giclée print of Rising Call on 300gsm archival paper
Painted for my Glenfiddich Exhibition, this painting shows the sun rising above the West Coast of Scotland as seen from the Isle of Mull. The Giclée will be produced on highest quality acid free 300gsn archival paper, inspected and signed by the Artist.
Giclee print 55cm x 55cm of ‘Sunset Flock’ on 300gsm archival paper
The sun sets behind a quietly grazing flock of sheep in the farmland near my home in Speyside. Printed on 300gsm acid free archival paper, each print is inspected and signed by the Artist.
Giclée print of Rush 60cm x 60cm on 300gsm archival paper
Painted for my Glenfiddich exhibition, this canvas was an exploration of technique and letting the paint embody the spirit of the subject. In this case, a wave crashing as it lands ashore. Prints will be signed and inspected by the Artist.
Giclee print of ‘Last Light’ 50cm x 50cm 300gsm archival paper
The Sun has sunk beneath the horizon but still sets fire to the edges of these clouds that hug the sea. Printed on 300gsm acid free archival paper, each print is inspected and signed by the Artist.
Giclee print of Golden Dance, 30″x30″ on Canson Infinity Museum Pro Canvas
A reproduction of Golden Dance, reproduced using archival inks and a top grade professional 385gsm canvas that is manufactured with a high quality, 100% pure cotton canvas base, coated with a new advanced technology microporous coating. This water resistant, lustre finish canvas. Each reproduction is inspected and signed by me, before being sent to you.